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| Here are three logos which I
have designed recently, Clarinbridge Arts Festival, rock-band
Kindred and The Miami Showband |
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| Remember, during a boring
class in school, you would doodle the logo of your favourite band on the
back cover of 'Peig' or 'Paradise Lost'? They all had a specific way of
writing their name, whether it be a backwards letter (ABBA), an arrow (The
Who), a lightning flash (AC/DC) or something else equally distinctive.
Here are some classic logo-designs - I have credited the artist when
known. |
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Thin Lizzy's jagged edge logo was
designed by Jim Fitzpatrick. The Corrs' early celtic-style logo was
dropped, probably because it was too difficult to draw. Enya's
logo even has a font named after it! |
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The distinctive 'S' helped the
KISS logo (by Ace Frehley) to stand out while Chicago used their logo on all
of their 16 album covers. The 'Yes' logo by Roger Dean is
widely-regarded as one of the
best band-logos ever. |
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Brian Pike's logo for The Who was
brilliant in its simplicity and even non-artistic fans could copy
it. Electric Light Orchestra's is a bit ostentatious and The Rolling
Stones 'tongue' by John Pasche is one of the few that doesn't use
the band-name. I feel that the Donwood/Yorke design for Radiohead is
unimaginative. |
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The 'ransom-note' font was ideal for
the anarchic Sex Pistols (by Jamie Reid) while the
almost-illiterate-style lettering allegedly brought Korn many new
fans. The Travelling Wilburys based their logo on a circus-poster
while the Dead Kennedys' logo by Winston Smith, in my opinion ranks
with Yes and The Who as one of the very best. |
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It's de rigueur for a metal band to
have a distinctive logo, probably because their sales of t-shirts
and merchandise is bigger than most other bands put together. The
jagged 'M' and 'A' make the Metallica logo. The font used in Iron
Maiden's logo has a distinctive 'O' while the bolt of
lightning made AC/DC's logo (by Gerard Huerta). |
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Back in the 'Swingin' '60s', many
bands had logos or used distinctive lettering in the band-name. One
letter, 'T', distinguished The Beatles name while The Byrds' was all
flowery and hippyish but yet, easy enough to draw. The Beach Boys'
logo never really caught on though it's a nice design. |
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The 'm' distinguished The Jam's logo
while T-shirt sales were clearly in mind when Guns 'n' Roses
colourful logo was designed - it had to look good on black! Emerson,
Lake & Palmer used a catchy 'ELP'
design by H.R. Griger. Madness' logo by Bubbles makes clever use of
the letter 'M'. |
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Once again, easily-read,
easy-to-copy, distinctive lettering carries these three logos. |
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Though their music is poles apart,
Nine Inch Nails and Abba's logos are very similar. ABBA's
stands out because of its simplicity and brilliance. First of all
their designer took the first letters of each member, then seeing
that they formed a palindrome, turned the second 'B' backwards so
that the name looked like a mirror-image. Artist Trent Reznor
adopted a similar approach for Nine Inch Nails with his backwards
'N'. Along with The Rolling Stones, The Grateful Dead's logo by Bob
Thomas was one of the few band-logos which didn't include the band's
name. |
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The Eagles' logo is artistic
but fails because it's not easy to read. Cher adopted a gothic-style
font for her name. Bjork's logo is symmetrical and a feature is the
positioning of the three dots. |
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Wings and symmetry are common to
these four logos. Wings could hardly have used anything else!
Former band-member Ray Tabano is the artist who created Aerosmith's
logo. Two bands used initials as their band-names may have had too
many letters - Creedence Clearwater Revival (definitely!) and
Van Halen. |
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S P E C I A L O F F E R
U N T I L 1 M A R C H 2 0 0 9 !
I will design a logo for your band
for the rock-bottom price of 25 euro and . . . if you don't like it
or decide not to use it, you pay me NOTHING! How's that? |
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All logos used with
the best intentions. If you wish to have your logo removed from this page,
please let me know by email and I will take it down immediately (all
except my own of course!) |
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© francis k.
2009 |